Goodrich, Lloyd. WINSLOW HOMER. 241 pp. text & 63 plates, 4to, cloth. New York, Macmillan (for the Whitney Museum), 1945.
F-4458.

Goodrich, Lloyd. WINSLOW HOMER. 127 pp. with more than 94 illus., some in color, 4to, wraps. New York, Braziller, 1959.
Lucas p. 156. F-4459.

Hendricks, Gordon. The Life and Work of WINSLOW HOMER. 345 pp. with 373 monochrome illus., 67 color plates, and a well illus. listing of works by Homer in public collections in the U.S. Oblong folio, cloth. New York, Abrams, 1979.
F-4464.

New York. Museum of Graphic Art. The Graphic Art of WINSLOW HOMER. 136 pp., text & catalogue by Lloyd Goodrich, profusely illus., small 4to, wraps. 1968.

New York. Whitney Museum. WINSLOW HOMER. Very good 143 pp. exhibition catalogue by Lloyd Goodrich, profusely illus., much in color. Large 4to, wraps. 1973.

Pousette-Dart, Nathaniel. WINSLOW HOMER. 5 pp. preface, numerous plates, 8vo, boards. New York, Stokes, 1923.

Washington. National Gallery of Art. WINSLOW HOMER. A Retrospective Exhibition. 131 pp., incl. text by Albert Ten Eyck Gardner, catalogue, & numerous illus., small 4to, wraps. 1958.
F-4468.

Goodrich, Lloyd. American Watercolor and WINSLOW HOMER. 109 pp. text well-illustrated in b&w. 4to, cloth. Minneapolis, Walker Art Center, 1945.

Goodrich, Lloyd. WINSLOW HOMER. 241 pp. text, followed by 63 b&w plates. Small 4to, cloth. New York, MacMillan for the Whitney Museum, 1944.

San Francisco. The Fine Arts Museums, M.H. de Young Memorial Museum. WINSLOW HOMER: Paintings of the Civil War. 283 pp. with 23 color plates and many b&w plates and illustrations. Large 4to, wraps. 1988.

[Mavis P. and Mary Kelsey Collection]. WINSLOW HOMER Graphics. 100 pp. with approx. 150 b&w illustrations. Square 4to, wraps. Houston, Museum of Fine Arts, 1977.

Cooper, Helen A. WINSLOW HOMER Watercolors. 260 pp. with 91 b&w and 132 color plates. 4to, wraps. Washington, National Gallery of Art and New Haven and London, Yale University Press, 1986.
Exhibition in Washington, Fort Worth and New Haven.

Flexner, James Thomas. The World of WINSLOW HOMER, 1836 - 1910. Folio, cloth in slipcase. New York, Time Incorporated, [n.d.].

Cikovsky Jr., Nicolai, Franklin Kelly et al. WINSLOW HOMER. 420 pp., 235 color reproductions, 252 b&w figures and numerous b&w illustrations. Folio, cloth. Washington, National Gallery of Art in association with New Haven, Yale University Press, 1995.
An impressive catalogue for the major retrospective exhibition of this great American 19th-century artist's work, to be held at the National Gallery of Art in October, with subsequent stops at the Boston Museum of Fine Arts, and the Metropolitan Museum of Art. The book discusses and reproduces more than 200 paintings, watercolors, and drawings which span Homer's career, from his early Civil War paintings to the late watercolors of the tropics and the Adirondacks, and a reassessment of the tragic and visionary paintings of his last years.

Tatham, David. WINSLOW HOMER in the Adirondacks. xiv and 158 pp. with 25 color and 48 b&w illustrations. 4to, cloth. Syracuse, Syracuse University Press, 1996.
Winslow Homer's affinity for the Adirondacks lasted forty years and is represented here in more than 75 prints, oil paintings, watercolors, and drawings dating between 1870 and 1910. The author examines Homer's work in its historical context, and opens a larger discussion on concepts of landscape and wilderness, the development of the Adirondack park, as well as Homer's contemporaneous work in such regions as Maine, the Caribbean, and England.

FAIRBROTHER, TREVOR J. The Bostonians: Painters of an Elegant Age, 1870-1930. 248pp. with 53 color and 115 b&w illustrations. Large 4to, cloth. Boston, Northeastern University Press/ Museum of Fine Arts, 1986.

FERBER, LINDA S. and Barbara Dayer Gallati. Masters of Color and Light: Homer, Sargent, and the American Watercolor Movement. 223 pp. with 150 color and 46 b&w illustrations. 4to, cloth. Washington, Smithsonian Insitution Press, 1998.
Accompanying an exhibition at the Brooklyn Museum, this catalogue features Homer and Sargent as well as many lesser known American watercolorists and it describes the vagaries of critical reception and public support that the medium has received through the years.

Kushner, Marilyn S., Barbara Dayer Gallati and Linda S. Ferber. WINSLOW HOMER: Illustrating America. 133 pp., 79 b&w plates, 17 b&w figures. 4to, cloth. Brooklyn, Museum of Art in association with New York, George Braziller, 2000.
This study features 80 of Homer's best-known printed illustrations which appeared between 1857 and 1875, including scenes of children, the Civil War, and coastal resorts.

Unger, Miles. The Watercolors of WINSLOW HOMER. 224 pp., over 125 colour plates. 4to, cloth. New York and London, W.W. Norton, 2001.
Winslow Homer created nearly 700 watercolors between the 1870s and the turn of the century; 140 of them are reproduced in this overview. The author examines the technical aspects of their production and discusses the importance of these works within the larger context of Homer's career.

Junker, Patricia, with Sarah Burns et al. WINSLOW HOMER: Artist and Angler. 240 pp., 123 color and 61 b&w. 4to, cloth. Fort Worth, Amon Carter Museum and San Francisco, Fine Arts Museum in association with New York and London, Thames and Hudson, 2003.
This book accompanies a travelling exhibit that examines Homer's lifelong devotion to fishing as it related to his connection to the American landscape, and his extraordinary ability to evoke the atmosphere of pastoral locales.

Johns, Elizabeth. WINSLOW HOMER: The Nature of Observaton. xxiv and 204 pp., 40 color plates and 77 b&w figures. 4to, cloth. Berkeley, Los Angeles, London, University of California Press, 2002.
This study examines the relationship between the artist's work and the psychological stages of his life, using theories advanced by Erik Erikson and Daniel Levinson to look at the dynamics of his artistic evolution at important turning points of his life.

Tatham, David. WINSLOW HOMER and the Pictorial Press. xxiv and 256 pp., roughly 115 b&w illustrations. 8vo, cloth. Syracuse, Syracuse University Press, 2003.
A comprehensive volume of Homer's magazine illustrations, published between 1857 and 1875.

Griffin, Randall C. WINSLOW HOMER: An American Vision. 240 pp., 192 color and b&w figures. 4to, cloth. London and New York, Phaidon Press, 2006.
A new monograph on the career of Winslow Homer (1836-1910), one of the most important American painters of the late 19th century. Homer's best known oils and watercolors are featured alongside an extensive selection of his lesser-known woodcuts and lithographs.

Levy, Sophie (editor) with Eric Shanes, Marc A. Simpson, Judith C. Walsh et al.. WINSLOW HOMER: Poet of the Sea. 152 pp., illustrated throughout, mostly in color. 4to, wraps. Giverny, Terra Foundation for American Art, and Dulwich, Dulwich Picture Gallery, 2006.
Published to accompany an exhibition at the Musee d'art Americain - Terra Foundation for American Art, Giverny, and the Dulwich Picture Gallery, London. Text in English.

DAVIDSON, DR. GAIL S. et al.. Frederic Church, Winslow Homer, and Thomas Moran. Tourism and the American Landscape. xii and 180 pp., 200 color and b&w illustrations. 4to, boards. New York, Smithsonian - Cooper-Hewitt, National Design Museum, and New York and Boston, Bulfinch, 2006.
This catalogue for a show at the Cooper Hewitt Museum showcases, for the first time in more than two decades, the museum's extraordinary collection of more than 200 paintings and drawings, the largest grouping of Homer and Church objects in the world. Five original essays will illuminate the importance of these artists in promoting tourism and transforming the landscape into a source of national pride.

Tedeschi, Martha, Kristi Dahm et al. Watercolors by WINSLOW HOMER: The Color of Light. 228 pp., 275 color illustrations. Oblong 4to, cloth. Chicago, Art Institute of Chicago, in association with New Haven and London, Yale University Press, 2008.
Accompanies an exhibition.