London. Arts Council. Late SICKERT. 112 pp. with 24 color and numerous b&w illustrations. 4to, wraps. 1981.

Bromberg, Ruth. WALTER SICKERT: Prints, a Catalogue Raisonné. 312 pp., approximately 500 color plates. Folio, cloth. New Haven and London, Yale University Press for the Paul Mellon Centre for Studies in British Art, 2000.
Sickert is among England's most important early modern artists, but his printmaking oeuvre has been largely overlooked. This book looks at his 226 engravings, etchings, aquatints and lithographs, examining them in terms of his experimental techniques, and the influence of such contemporaries as Degas and Whistler.

ROBINS, ANNA GRUETZNER and Richard Thomson. Degas, Sickert and Toulouse-Lautrec: London and Paris 1870-1910. 232 pp., 113 color plates, 57 color and b&w figures. 4to, cloth. London, Tate Publishing, 2005.
In the late 19th century, the hectic speed and vibrant diversity of London and Paris fascinated artists both in England and in France. This catalogue for a show which opened at the Tate Britain and travels to the Phillips Collection includes essays by leading critics and reproduces important works of the avant-garde period, as well as numerous lesser-known and previously unseen works.

Baron, Wendy. SICKERT: Paintings and Drawings. ix and 590 pp., roughly 200 color and 800 b&w illustrations. 4to, cloth. New Haven and London, Yale University Press for the Paul Mellon Centre for Studuies in British Art, London , 2006.
For sixty years, Sickert was a source of inspiration and influence to following generations of British painters. Many of the 2800-plus drawings and paintings reproduced here are previously unpublished; they are complemented by essays that describe the artist's chronology in terms of stylistic and technical development.

Wright, Barnaby (editor) with Wendy Baron and Lisa Tickner. WALTER SICKERT: The Camden Town Nudes. 112 pp., illustrated throughout in color and b&w. 4to, cloth. London, The Courtauld Institute in association with Paul Holberton Publishing, 2007.