Cabanne, Pierre. Dialogues with MARCEL DUCHAMP. 136 pp. text & 16 plates, 4to, wraps. New York, Viking, 1971.
Arntzen I240. F-2434.

D'Harnoncourt, Anne & Kynaston McShine. (eds.). MARCEL DUCHAMP. 348 pages. extensive text, catalogue, and hundreds of illustrations, some in color. 4to, wraps. New York, Prestel/Museum of Modern Art, 1973.
Freitag 2449.
Exhibition in New York and Philadelphia.

Schwarz, Arturo. MARCEL DUCHAMP: Notes and Projects for "The Large Glass." 12 pp. intro. text & 217 facsimile pages with English transcriptions. Large folio, cloth. New York, Abrams, (n.d.).

Tomkins, Calvin et al. The World of MARCEL DUCHAMP 1887-1968. 192 pp., illustrated in color and b&w. 4to, cloth. New York, Time-Life Books, 1966.
F-2459.

Cabanne, Pierre. THE BROTHERS DUCHAMP, Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp. 270 pp. with 50 in color, and 130 b&w illus., large 4to, cloth. Boston, New York Graphic Society, 1975.
F-2433.

DUCHAMP, Marcel. View. Series V., No. 1. With texts by Andre Breton, Robert Desnos, and others. Profusely illustrated, including a foldout plate. Small folio, stapled wraps, in a cloth folding box. New York: March, 1945.

A fine copy of the regular edition of the sought-after Duchamp number of Charles Henri Ford's celebrated magazine, with the original cover designed by Duchamp. The centerfold, "Les Larves D'Imagie D'Henri Robert Marcel Duchamp" by Frederick J. Kiesler.

Schwarz, The Complete Work of Marcel Duchamp 508.

Golding, John. MARCEL DUCHAMP: The Bride Stripped Bare by Her Bachelors, Even. 116 pp., 62 monochrome text figures. 8vo, cloth. New York, Viking, 1972.
F-2447.

Paris. Musee National d'Art Moderne. MARCEL DUCHAMP: Catalogue Raisonné. 208 pages, illustrated in color and b&w, edited by Jean Clair. 4to, wraps, 1977.
F-2438. Text in French.

Madrid. Sala de Exposiciones. DUCHAMP. 285 pages, illustrated throughout in color and b&w. 4to, wraps, 1984.
Text in Spanish and English.

Sanouillet, Michel and Elmer Peterson [eds.]. The Essential Writings of MARCEL DUCHAMP. Marchand du Sel - Salt Seller. 196 pp. with 90 monochrome illustrations. 8vo, wraps. London, Thames and Hudson, 1975.
Freitag 2443.

Paris. Opus International. DUCHAMP et Apres. 135 pp. art magazine with articles by numerous contributors and illustrations. in b&w. Small, 4to, wraps. 1974.
March 1974 issue #49 devoted entirely to Duchamp.

New York. Guggenheim Museum. JACQUES VILLON, RAYMOND DUCHAMP-VILLON, MARCEL DUCHAMP. Unpaginated catalogue, roughly 40 b&w plates and 6 color reproductions. 4to, wraps. 1957.

MARY SISLER Collection. Not Seen and/or Less Seen of/by MARCEL DUCHAMP/Rrose Selavy 1904-64. Unpaginated catalogue of an exhibition at the Contemporary Arts Museum, Houston, thoroughly illustrated in b&w, and with 3 tipped-in color plates. 4to, wraps. New York, Cordier & Ekstrom, 1964.

Bern, Kunsthalle. Tabu Dada: JEAN CROTTI & SUZANNE DUCHAMP, 1915 - 1922. Edited by W.A. Camfield and J-H. Martin. 139 pp. include over 100 illustrations, a few in color. Tall 4to, wraps. 1983.

London. Tate Gallery. The Almost Complete Works of MARCEL DUCHAMP. 110 pp. catalogue that accompanied a retrospective at the Tate Gallery. Many illustrations are included, among which are a few color plates and one fold-out. Large 4to, wraps. 1966.
Rare.

Paz, Octavio. MARCEL DUCHAMP: Appearance Stripped Bare. x and 211 pp. commentary on the artist's work, illustrated in b&w. 8vo, cloth. New York, Richard Seaver/The Viking Press, 1978.

Schwarz, Arturo. The Complete Works of MARCEL DUCHAMP, Third Revised and Expanded Edition. 2 volumes. Volume One: pp. 1 to 268 include text with b&w illustrations. Volume Two: pp. 269 to 974 include 222 color plates followed by the critical catalogue of 663 items, all illustrated in b&w. Folios in slipcase, cloth. New York, Delano Greenidge Editions, 1997.
Catalogue raisonne includes updated bibliography, 1969-1995 and exhibition history by Timothy Shipe.

Stauffer, Serge. MARCEL DUCHAMP. Interviews und Statements. Foreword by Ulrike Gauss. 256 pp. with text in German. 4to, cloth in slipcase. Stuttgart, Editions Cantz, 1992.

Paris. Musee des Arts Decoratifs. Les Machines Celibataires / Junggesellenmaschinen. (DUCHAMP). 236 pp. include many b&w figures. 4to, wraps. 1976.

Hulten, Pontus et al. MARCEL DUCHAMP: Work and Life. 650 pp. with 1,350 illustrations, 1,200 in color. Small folio, cloth. Cambridge, MIT, 1993.
A remarkable book with more than 1,300 illustrations covering 70 years of Duchamp's artistic production, one of the most important publications on this artist to appear in the last 25 years. Serving as the catalogue to the Palazzo Grassi(Venice) exhibition in June 1993, the book documents his personal life as well as his achievements in painting and sculpture, his life-long involvement with chess, film, and theater.

Clearwater, Bonnie, ed. West Coast DUCHAMP. 128 pp. catalogue, well illustrated in b&w. 4to, cloth. Miami, Grassfield Press, in association with Santa Monica, Shoshana Wayne gallery, 1991.

Tomkins, Calvin. DUCHAMP - A Biography. 550 pp., illustrated throughout in b&w. 8vo, cloth. New York, Henry Holt and Company, 1996.

Henderson, Linda Dalrymple. DUCHAMP in Context: Science and Technology in The "Large Glass" and Related Works. 374 pp., 5 color plates, 173 halftones, and 23 line illustrations. 4to, cloth. Princeton, Princeton University Press, 2005.
Henderson focuses on the culture of science in time of Duchamp's creation of The Large Glass and on the technological themes pervading Duchamp's extensive notes for the project.

Bonk, Ecke et al.. JOSEPH CORNELL/MARCEL DUCHAMP...in resonance. 344 pp., 128 color and 370 b&w illustrations. 4to, cloth. Editions Cantz, 1998.
This book chronicles the friendship and working relationship between these two innovative and important artists, who first met in New York in 1933. Following Cornell's death, a box he created called the Duchamp Dossier was discovered in his estate. Examining this, and their personal correspondance and other items, a hitherto undocumented collaboration is brought to light. The Duchamp Dossier will be on exhibit at the Philadelphia Museum of Art and the Menil Collection.

Tokyo. Galerie Tokoro. Les 3 Duchamps: JACQUES VILLON, RAYMOND DUCHAMP-VILLON, MARCEL DUCHAMP. 106 pp., illustrated in colour and b&w. 4to, wraps. 1984.
Text in Japanese and English.

Naumann, Francis M. and Hector Obalk (editors). Affectionately, Marcel. The selected correspondance of MARCEL DUCHAMP. 424 pp., b&w illustrations. 4to, cloth. Ghent and Amsterdam, Ludion Editions, 2000.
Francis Naumann's scrupulously researched study of Duchamp's personal correspondance makes his work more accesible as he discusses his most important projects and makes unguarded comments about his aesthetic aims. Duchamp's creative use of the postal service can be seen as a precursor to mail art.

Gardin, Piero Berengo. MARCEL DUCHAMP in 20 Photographs by Gianfranco Baruchello. Unpaginated, 20 b&w illustrations. 8vo, wraps. Rome, Edizioni Gregory Fotograf, 1978.

New York. Achim Moeller Fine Art. MARCEL DUCHAMP: The Art of Making Art in the Age of Mechanical Reproduction. With an essay by Francis Naumann. 48 pages completely illustrated in color and b&w. 4to, wraps. 1999.
This catalog contains an excellent selection of Duchamp's work and an insightful essay.

DUCHAMP, Marcel. Transition - A Quarterly Review. Number 26. With texts by James Joyce, Franz Kafka, and others. 208 pp., plus ads. 8vo., original wrappers, with front cover designed by Duchamp, preserved in a cloth box. New York: Transition, 1937.

First Edition. Duchamp designed this cover using a reproduction of his readymade 'Comb' and an image of the journal's masthead. The same reproduction (but without the 'Transition' masthead) is included in all copies of 'The Box in a Valise,' 1941. According to Sylvia Beach, James Joyce told her jokingly that "the comb with thick teeth shown on this cover was the one used to comb out "Work in Progress," (Schwarz). Some wear to wrapper extremities, else fine.

Schwarz, The Complete Work of Marcel Duchamp 457. Slocum & Cahoon 70.

Calvesi, Maurizio et al. Su MARCEL DUCHAMP. Text by numerous authors; 112 pp., illustrated throughout in b&w. Small 4to, wraps. Naples, Framart Editrice, 1975.
Text in English and Italian.

Bonk, Ecke. MARCEL DUCHAMP: The Portable Museum. The Making of the Boite-en-Valise. 324 pp. with 516 illustrations, including 164 in color. Large 4to, cloth. London, Thames and Hudson, 1989. ( )
Illustrates the boxes, which contain miniatures reproductions of the artist's work. Title of American edition is "Marcel Duchamp: The Box in a Valise".

Steefel Jr., Lawrence D. The Position of DUCHAMP'S Glass in the Development of His Art. 423 pages, followed by 64 b&w plates. 8vo, cloth. New York, Garland Publishing, 1977.

Philadelphia Museum of Art. Etant Donnes: 1 la chute d'eau; 2 le gaz d'eclairage. Reflections on a New Work by MARCEL DUCHAMP. Second reprint of the Philadelphia Museum of Art Bulletin, Volume LXIV, Numbers 299 and 300. 68 pp. text by Anne d'Harnoncourt and Walter Hopps, includes 35 b&w figures. 4to, wraps. 1987.

Iles, Chrissie (essay). MARCEL DUCHAMP - MAN RAY. 50 Years of Alchemy. 130 pp., illustrated in color and b&w. 8vo, boards. New York, Sean Kelly Gallery, 2004.

Graham, Lanier. DUCHAMP & Androgyny: Art, Gender, and Metaphysics. 87 pages, including 5 color and numerous b&w plates. Small 4to, boards, slipcase. Berkeley, No-Thing Press, 2005.
Limited edition of 1000 copies

PICASSO, Pablo. Four Pamphlets. Pablo Picasso.// Non Vouloir. // Au "Dépens des mots." // Marcel Duchamp. By Georges Hugnet. Complete set of all four "butterfly books." Together four volumes, oblong 16mo., 96 x 146 mm, each one folded as issued in original printed self-wrappers. Preserved in a beige linen folding box. Paris: [The Author], 1940-1941.

The complete set, an astonishing survival: each pamphlet or "butterfly book" was limited to just 200 copies. These pamphlets were all clandestinely printed at the beginning of the German occupation, and were only distributed among close friends of the poet. The ode to Marcel Duchamp is illustrated with a single tipped-in print of the " Moustache and Beard of L.H.O.O.Q." -- arguably the cornerstone of Dadaism -- in which Duchamp's original metal stencil was applied in graphite on paper by pochoir: "Like the smile of the Cheshire Cat, Duchamp's graffiti additions to the Mona Lisa now hover in space" (d'Harnoncourt & McShine, p. 304). "The stencil was originally made for the addition of those details to the reproduction of L.H.O.O.Q. in The Box in a Valise" (Bonk, p. 241). " Au Dépens des mots" is illustrated with a reproduction of a drawing by Valentine Hugo. The entire collection is preserved in the freshest possible condition.

Goeppert, Pablo Picasso: The Illustrated Books, No 35. Schwarz, The Complete Work of Marcel Duchamp, No 483. Johnson, Artists' Books in the Modern Era 1870-2000, No. 115.

SCHNEIDER, ECKHARD (editor) et al.. Re-Object: Marcel Duchamp, Damien Hirst, Jeff Koons, Gerhard Merz. 188 pp., over 10 illustrations, most in color, several gatefolds. 4to, cloth. Bregenz, Kunsthaus Bregenz, 2007.
Published to accompany an exhibition. Text in English and German.

DUCHAMP, Marcel. Le Surréalisme en 1947. 139, [3] pp. Illustrated with original prints throughout. 4to., 230 x 200 mm., bound in original plain paper wrappers, preserved in folding linen box. Paris: Maeght, 1947.

First Edition. Limited to 999 copies; contains 24 original hors texte prints: 5 colour lithographs (Bauer, Ernst, Hérold, Lam, Miro), 4 etchings (Jean, Maria, Tanguy, Tanning), 1 colour etching (Bellmer), 2 wood engravings (Arp) and 12 lithographs (Brignoni, Calder, Capacci, Damme, Diego, Donati, Hare, Lamba, Matta, Sage, Tanguy, Toyen). Plus a further 44 reproductive plates of the myriad aspects of this famous exhibition.

The 1947 exhibition celebrated the return of the exiles after the war. It became a retrospective of the movement organized by Duchamp and Breton. Although the exhibition took place in Paris, it was international in scope with participants from several countries. Recently the work was featured in an exhibition of surrealist books at the Whitney Museum of American Art.

This copy is in its original plain wrappers, and without the photographic wrapper reproducing the foam rubber breast for which the catalue is best known. A few copies of the catalogue were housed in a cardboard slipcase on which was mounted Marcel Duchamp's celebrated foam rubber breast.

Schwarz 328. From Manet to Hockney 115.

Naumann, Francis M., Bertrand Lorquin, and Pierre Cabanne. MARCEL DUCHAMP et ses freres. 269 pp., fully illustrated in color and b&w. 4to, boards. Paris, Galerie Dina Vierny, 1988.
Published to accompany an exhibition. Texts in French and English.

Parkinson, Gavin. The DUCHAMP Book. 197 pp., 91 color illustrations. Small 4to, wraps. London, Tate Publishing, 2008.

MUNDY, JENNIFER (editor) et al. Duchamp, Man Ray, Picabia. 247 pp., 217 color and b&w illustrations. 4to, wraps. London, Tate Publishing, 2008.
Exhibition in London and Barcelona.

Ades, Dawn, Neil Cox, David Hopkins. MARCEL DUCHAMP. 224 pages, 164 illustrations including 42 in color. 8vo, wraps. London, Thames and Husdosn, 1999.
World of Art Series.

Moure, Gloria. MARCEL DUCHAMP: Works, Writings, Interviews. 160 pages, roughly 120 illustrations, most in color. 4to, boards. Barcelona, Poligrafa, 2009.

Graham, Lanier. Impossible Realities: MARCEL DUCHAMP & the Surrealist Tradition. Unpaginated, illustrated throughout in b&w. 4to, clear plastic wraps in wood and masonite box. Pasadena, World Art Press, 1991.
Accompanies an exhibition at the Norton Simon Museum, Pasadena. 2nd printing.

Goodyear, Anne Collins and James W. McManus (editors) et al. Inventing MARCEL DUCHAMP: The Dynamics of Portraiture. 320 pages, fully illustrated in color and b&w 4to, boards. Washington, National Portrait Gallery, Smithsonian Institution, in association with Cambridge, MA, and London, MIT Press, 2009.
Accompanied an exhibition.

Taylor, Michael R. et al. MARCEL DUCHAMP: Etant Donnes. 448 pages, 343 color and 117 b&w illustrations. 4to, cloth. Philadelphia, Philadelphia Museum of Art, in association with New Haven and London, Yale University Press, 2009.
Published to accompany an exhibition at the Philadelphia Museum of Art.

d'Harnocourt, Anne (preface) and Michael R. Taylor (introductory essay). (MARCEL DUCHAMP) Manual of Instructions: Etant donnés: 1 la chute d'eau, 2 le gaz d'eclairage... Unpaginated facsimile, illustrated in color and b&w. 4to, leatherette. With xiv page text and translation, 132 color and b&w figures. 4to, wraps. Philadelphia, Philadelphia Museum of Art in association with New Haven and London, Yale University Press, 2009.
Revised Edition.

Newcastle upon Tyne. Department of Fine Art, University. The Bride Stripped Bare by her Bachelors Even Again. A reconstruction by RICHARD HAMILTON of MARCEL DUCHAMP's Large Glass. Unpaginated, brief text by Hamilton, illustrated in b&w. Small 4to, wraps. N.d.