Ormond, Richard. JOHN SINGER SARGENT: Paintings, Drawings, Watercolors. 264 pp. with 151 plates, folio, cloth. New York, Harper & Row, 1970.
F-8659.

New York. Whitney Museum. JOHN SINGER SARGENT. By Patricia Hills. 295 pp. exhibition catalogue with 256 reproductions, including 90 plates in color. Large 4to, wraps. 1986.

Ratcliff, Carter. JOHN SINGER SARGENT. 256 pp. with 338 illustrations, 113 in color. folio, cloth. New York, Abbeville Press, 2001
Freitag 11281

Washington, D.C. The Corcoran. The Private World of JOHN SINGER SARGENT. Text by Donelson F. Hoopes and Hermann Warner Williams, Jr.; unpaginated, illustrated in color and b&w. 4to, wraps. 1964.
Exhibition in Washington, Cleveland, Worcester, and Uttica.

Olson, Stanley et al (essays). SARGENT at Broadway: The Impressionist Years. 118 pp. include 47 full-page color plates and 60 text illustrations. 4to, wraps. New York, Universe/Coe Kerr Gallery, and London, John Murray, 1986.

Fairbrother, Trevor. JOHN SINGER SARGENT. 157 pp. with 103 illustrations, including 51 in full color. Folio, cloth. New York, Abrams in association with Washington, The National Museum of American Art, 1994.
An overview of this American expatriate's career, offering a biographical, historic, and artistic survey of his life and work.

Williamstwon. Sterling and Francine Clark Art Institute. Uncanny Spectacle: the Public Career of the Young JOHN SINGER SARGENT. Text by Marc Simpson with Richard Ormond and H. Barbara Weinberg; 192 pp. with 35 color plates and numerous b&w illustrations. 4to, cloth. New Haven, Yale University Press, 1997.
An exhibition catalgue exploring the early career of this American painter, tracing his meteoric development over the course of the first decade of his career. Included are illustrations of every painting he exhibited in Paris, London, and New York through 1887.

Ormond, Richard and Elaine Kilmurray. JOHN SINGER SARGENT: The Early Portraits. Complete Paintings: Volume 1. 278 pp., 235 color and b&w plates, and 72 colour and b&w figures. 4to, cloth. New Haven, Yale University Press, 1998.

Adelson, Warren et al. SARGENT Abroad: Figures and Landscapes. 256 pp., with roughly 200 color and 50 b&w illustrations. Folio, cloth. New York, Abbeville, 1997.
Although generally overshadowed by his society portraits, Sargent's open air figure studies and landscape paintings constitute an extensive and important part of his oeuvre. The text includes excerpts from Sargent's travel diaries as well as period photographs he used in creating these paintings.

FAIRBROTHER, TREVOR J. The Bostonians: Painters of an Elegant Age, 1870-1930. 248pp. with 53 color and 115 b&w illustrations. Large 4to, cloth. Boston, Northeastern University Press/ Museum of Fine Arts, 1986.

FERBER, LINDA S. and Barbara Dayer Gallati. Masters of Color and Light: Homer, Sargent, and the American Watercolor Movement. 223 pp. with 150 color and 46 b&w illustrations. 4to, cloth. Washington, Smithsonian Insitution Press, 1998.
Accompanying an exhibition at the Brooklyn Museum, this catalogue features Homer and Sargent as well as many lesser known American watercolorists and it describes the vagaries of critical reception and public support that the medium has received through the years.

London. Tate Gallery. JOHN SINGER SARGENT. Text by Elaine Kilmurray and Richard Ormond et al. 285 pp., with 171 color and 85 halftone illustrations. 4to, cloth. Princeton University Press, 1998.
This survey examines and evaluates the extrordinary range of Sargent's work, accompanying the most extensive retrospective of the artist's career since the memorial exhibitions that followed his death in 1925.

Little, Carl. The Watercolors of JOHN SINGER SARGENT. 160 pp., including roughly 150 color plates. 4to, cloth. Berkeley, University of Californa, 1998.

Goldfarb, Hilliard T.et al. SARGENT: The Late Landscapes. 114 pp., 14 color plates, and numerous b&w figures. 4to, wraps. Boston, Isabella Stewart Gardner Museum, 1999.

Fairbrother, Trevor. JOHN SINGER SARGENT: The Sensualist. 226 pp., roughly 75 color, and 60 b&w plates. 4to, cloth. New Haven and London, Yale University Press, in association with Seattle, Seattle Art Museum, 2000.
A reappraisal of the artist's work through the concept of sensuality, examining his treatment of texture, atmosphere, body gesture, and light.

Herdrich, Stephanie et al. American Drawings and Watercolors in the Metropolitan Museum of Art: JOHN SINGER SARGENT. xv and 428 pp., 109 color and 605 b&w illustrations. 4to, cloth. New Haven, Yale University Press, 2000.
A complete catalogue of drawings and watercolors in the museum's extensive collection, including 337 individual sheets, and every page from four sketchbooks. The entries are organized chronologically and thematically.

Ormond,Richard and Elaine Kilmurray. JOHN SINGER SARGENT: Portraits of the 1890s. Complete Paintings Volume II. xxvi and 214 pp., fully illustrated in color and b&w. 4to, cloth. New Haven and London, Yale University Press for the Paul Mellon Centre for Studies in British Art, , 2002.
This volume of the catalogue raisonne documents over 150 formal portraits and portrait sketches in both oil and watercolor, painted between 1889-1900.

Ormond, Richard and Elaine Kilmurray. JOHN SINGER SARGENT: The Later Portraits. Complete Paintings: Volume III. xxxii and 332 pp., roughly 220 color, and 45 b&w illustrations. 4to, cloth. New Haven and London, Yale University Press for the Paul Mellon Centre for Studies in British Art, 2003.
The third volume of the catalogue raisonne.

New York, Adelson Galleries. SARGENT'S Women. 152 pages, including 52 color plates. 4to, wraps. 2003.
Accompanied an exhibition.

Ormond, Richard and Elaine Kilmurray. JOHN SINGER SARGENT: Figures and Landscapes, 1874-1882. Complete Paintings: Volume IV. 448 pp., fully illustrated in color and b&w. 4to, cloth. New Haven and London, Yale University Press for the Paul Mellon Centre for Studies in British Art, London, 2006.
From 1874 to 1882, John Singer Sargent produced more than 200 paintings and watercolors outside the genre of portraits. This is the first time that nearly all these early works have been so comprehesively gathered in one publication. They include his subject paintings, figures in landscape settings, seascapes, and studies after old masters.

Kilmurray, Elaine et al.. SARGENT / SOROLLA. xv and 336 pp., illustrated throughout in color and b&w. 4to, cloth. N.p., Turner, 2007.
John Singer Sargent and Joaquin Sorolla y Bastida lived concurrently and there were similarities between not just their personal and professional lives but their work itself. This new volume is an indispensable study of how the careers of the two great artists ran parallel to each other, intersected and also diverged.

Kilmurray, Elaine et al.. SARGENT / SOROLLA. xv and 336 pp., illustrated throughout in color and b&w. 4to, wraps. N.p., Turner, 2007.
John Singer Sargent and Joaquin Sorolla y Bastida lived concurrently and there were similarities between not just their personal and professional lives but their work itself. This new volume is an indispensable study of how the careers of the two great artists ran parallel to each other, intersected and also diverged. Text in French.

Olson, Stanley. JOHN SINGER SARGENT: His Portrait. 318 pp., including 32 b&w plates. 4to, boards. New York, St. Martin's Press, 1986.