Lafuente Ferrari, Enrique. GOYA: The Frescoes in San Antonio de la Florida in Madrid. 150 pp. with 42 color plates, folio, cloth. Geneva, Skira, 1955.
Chamberlin 2460.

Gudiol, Jose. FRANCISCO DE GOYA Y LUCIENTES GOYA. 168 pp., 127 illustrations, including 48 tipped-in color plates. Folio, cloth. New York, Abrams, (n.d.).

Madrid, Museo del Prado. GOYA and the Spirit of Enlightenment. 407 pp. lavishly illustrated with full-page plates, mostly color and many monochrome illustrations. Large 4to, wraps, Boston, Museum of Fine Arts, 1989.

Carr-Gomm, Sarah. GOYA. 176 pp., 123 colour and b&w illustrations. Large 4to, boards. London, Parkstone, 2000.
This book presents a comprehensive overview of Goya's painting, engravings and cartoons for tapestries, with illustrations and text covering the main incidents of his long life. The text is notable for its discussion of Goya's drawings of the bullfight within the context of his youthful experience travelling with a bullfighting quadrilla.

Hughes, Robert. GOYA. x and 436 pp., 221 illustrations in color and b&w. 4to, cloth. New York, Alfred A. Knopf, 2003.

Brown, Jonathan and Susan Grace Galassi, with Joanna Sheers and Iraida Rodriguez-Negronx. GOYA'S Last Works. xvi and 280 pp., 51 color plates and 92 color and b&w figures. 4to, cloth. New Haven and London, Yale University Press, in association with New York, The Frick Collection, 2006.
During the last four years of his life, Goya lived in Bordeaux with other political émigrés from Spain and South America. During that time he created small-scale, intimate paintings, including portraits of friends and family, miniatures, drawings and lithographs. This book presents fifty-one key works from Goya's late period, along with two essays that illuminate the work of that period.

Feghelm, Dagmar. I, GOYA. 160 pp., 170 color illustrations. 4to, cloth in slipcase. Munich, Berlin, London, New York, Prestel Publishing, 2004.

Gudiol, Jose. GOYA. 128 pages, 128 color plates. 4to, boards. Barcelona, Poligrafa, 2008.

Sureda, Joan (editor) with Raquel Gallego. GOYA and Italy. 308 pages, hundreds of color illustrations. 4to, wraps. Mexico City, Turner, 2008.
Exhibition: Fine Arts Museum, Zaragosa
The first book to examine Goya's one-year sojorn in Italy (1770 or 1771) at length. In its pages, historians have collaborated to recreate the climate of eighteenth-century Rome, to postulate Goya's place in it and to assess the legacy of this shrouded episode in his biography.
Text in English.