Philadelphia Museum of Art. FRANCESCO CLEMENTE: Three Worlds. By Ann Percy and Raymond Foye. 187 pp. with 234 illustrations, including 114 in color, 2 are fold-outs. Large 4to, wraps.

Savinio, Alberto. The Departure of the Argonaut. Illustrated by FRANCESCO CLEMENTE. Approximately 100 folded and occasionally tinted leaves, illuminated in various monochromes. Folio, wraps. New York, Petersburg Press, 1986.

Berlin. Kunsthalle. FRANCESCO CLEMENTE. Pastelle. Edited by Rainer Crone; 200 pp., 84 color and 249 b&w plates. 4to, wraps. Munich, Prestel, 1984.

CLEMENTE, Francesco. The White Shroud. By Allen Ginsberg. Illustrated by Clemente. Folio, bound in original boards. India: Kalakshetra Publications Press, 1984.

One of 1100 copies. Published on the occasion of Clemente's exhibition at the Kunsthalle, Basel in May of 1984, this book is a classic piece of book-making and one of the best examples of Clemente's fascination with India in book form.

From Manet to Hockney 166.

McClure, Michael. FRANCESCO CLEMENTE Testa Coda. Introduction by Dieter Koepplin; 111 pp. with 27 color and 56 b&w illustrations. 4to, wraps. New York, Gagosian Gallery, 1991.

ARMSTRONG, ELIZABETH et al. Images and Impressions: Painters Who Print. Unpaginated with 26 color and 20 b&w illustrations. 4to, wraps. 1984.
Cover is original wood cut by Richard Bosman.

CLEMENTE, Francesco. The Departure of the Argonaut. By Alberto Savinio. [102] ff. With 49 photolithographs, 46 in color and 3 in black on cream paper. Elephant folio, bound in original wrappers and biege linen box designed by Rudolph Rieser. London: Petersburg Press, 1986.

Clemente's images are extraordinary and elevate this work to one of monumental bookmaking in conception, design, and production. The artist's designs range from monochromatic and brooding to intensely imaginary and vividly colorful. The text itself, first issued in 1917, is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in 20th-century Italian arts and letters. It is translated here from the Italian for the first time. Limited to 200 copies signed by the artist.

Johnson, Artists' Books in the Modern Era 1870-2000, No169.

London. Anthony d'Offay Gallery. FRANCESCO CLEMENTE Pinxit. Unpaginated, with 8 tipped-in color plates and several hand-printed pages on heavy watercolor paper. Small folio, gatefold boards. 1981.
One of 500 copies signed by Clemente.

Koepplin, Dieter. FRANCESCO CLEMENTE CVIII. 239 pp. with 109 color plates and 17 b&w figures. Large square 4to, wraps. Zurich, Schweizer Verlaghaus, 1987.

Babini, Luca (photographs). FRANCESCO CLEMENTE: A Portrait. Essay by Rene Ricard. Unpaginated, illustrated in color and b&w. 4to, cloth. New York, Aperture, 1999.
This photographic record of Clemente's daily life and working process creates an intimate and revealing chronicle of the artist.

Dennison, Lisa et al.. CLEMENTE. 505 pp., 187 color plates. 4to, cloth. New York, Guggenheim Museum in association with Abrams, 1999.
Francesco Clemente, as much as any painter, has led the late 20th century revival of expressionistic, figurative painting. This publication combines a variety of essays on Clemente's work with an excellent selection of reproductions.

Cologne. Jablonka Galerie. FRANCESCO CLEMENTE Peter Handke. 21 pages, including 7 color plates. Oblong 4to, wraps. 1995.

Cologne. Jablonka Galerie. FRANCESCO CLEMENTE Peter Handke. 21 pages, including 7 color plates. Oblong 4to, cloth. 1995.
Text in German.Deluxe edition,1/100 Signed copies

Auping, Michael. FRANCESCO CLEMENTE. 64 pp., roughly 30 colour plates. Oblong 4to, cloth. Milan, Charta, 2000.
Contains excellent reproductions of recent paintings by Clemente. Text in Italian and English.

Zurich. Edition Bruno Bischofberger. FRANCESCO CLEMENTE: Watercolours. 15 pages followed by 24 color plates. 4to, cloth. 1982.
Signed and numbered. 261/1000

London. Anthony d'Offay Gallery. FRANCESCO CLEMENTE. Unpaginated, illustrated in colour. 8vo, cloth. 2001.
Published to accompany the exhibition: "Francesco Clemente New Watercolours".

CLEMENTE, FRANCESCO, Allan Ginsberg and Peter Orlovsky (introduction). Evening Raga & Paradiso 1992. 107 pp., 104 color plates. 4to, wraps. New York. Gagosian Gallery and Rizzoli, 1992.

New York. Gagosian Gallery. FRANCESCO CLEMENTE: Life & Death, The Black Paintings. Poem by Robert Creeley. 24 pages, including 7 color plates. 8vo, wraps. New York, Gagosian Gallery, 1993.

Berlin. Kunsthalle. FRANCESCO CLEMENTE. Pastelle. Edited by Rainer Crone; 200 pp. with 84 color and 249 b&w plates. 4to, wraps. Munich, Prestel, 1984.
Inscribed by Clemente to David Bourdon.

New York. Metropolitan Museum. An Exhibition and Sale FRANCESCO CLEMENTE Prints 1981-1985. 64 pages, including many b&w plates. 4to, wraps. 1985.

Frankfurt: Museums fur Moderne Kunst. FRANCESCO CLEMENTE: Mothers of Hope. Folio, cloth. 1995.
Edition of 1100 copies silkscreened on handmade paper.

Rushdie, Salman (text). FRANCESCO CLEMENTE: Self Portraits. 42 pp., 14 color plates. 4to, stiff wraps. London, Gagosian Gallery, 2006.
Published to accompany an exhibition.

Ammann, Jean-Christophe. FRANCESCO CLEMENTE: Works 1971-1979. 256 pp., 105 color plates, 14 b&w illustrations. 4to, boards. New York, Deitch Projects in association with Milan, Charta, 2007.
Accompanies an exhibition.

Clemente, Francesco. FRANCESCO CLEMENTE: India [SIGNED]. 96 pp., well-illustrated in color and b&w. Folio, cloth in slipcase. Santa Fe, Twelvetrees Press, 1987.
Signed by Clemente from a limitied edition of 50 slipcased copies.

New York. Gagosian Gallery. FRANCESCO CLEMENTE: Anamporphosis. Essay by Robert Creeley. Oblong 4to, wraps. 1997.