Violette, Robert [ed.]. DAMIEN HIRST: i want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now. 334 pp., over 200 color illustrations, including numerous pop-ups and moving illustrations. 4to, cloth. New York, Monacelli Press, 1997.

Burn, Gordon and George Poste. DAMIEN HIRST: Theories, Models, Methods, Approaches, Assumptions, Results and Findings. 156pp., illustrated in color and b&w. 4to, cloth . New York, Gagosian Gallery, 2000.

Shone, Richard. DAMIEN HIRST: Pictures from The Saatchi Gallery. 104 pp., illustrated in colour. 4to, cloth-backed boards. London, Booth-Clibborn Editions, 2001.
This catalogue brings together all the works by Hirst in Charles Saatchi's collection.

Shani, Annushka (essay). DAMIEN HIRST: Romance in the Age of Uncertainty. 144 pp., roughly 50 illustrations, most in color. 4to, wraps. London, White Cube, 2003.
The first solo exhibition of new work in London since 1995, these new sculptures and paintings examine the story of Jesus and his Disciples.

MUIR, GREGOR and Clarrie Wallis. In-a-Gadda-Da-Vida. Angus Fairhurst, Damien Hirst, and Sarah Lucas. 112 pp., fully illustrated in color and b&w. Square 4to, wraps. London, Tate Publishing, 2004.
The three best-known figures in contemporary British art come together for a collaborative, mid-career exhibition at the Tate Britain.

Cicelyn, Edourdo, Mario Codognato, and Mirta D'Argenzio. DAMIEN HIRST. 268 pp., illustrated throughout, mostly in color. 4to, wraps. Naples, Museo Archeologico Nazionale, 2004.
Text in English.

Violette, Robert (editor). HIRST, DAMIEN. I Want to Spend the Rest of my Life Everywhere, with Everyone, One to One, Always, Forever, Now. Text by Hirst, Gordon Burn and Stuart Morgan; 334 pp., hundreds of color and b&w illustrations.Small 4to, cloth. London, Other Criteria, 2005.
Reduced format edition, with 8 pop-ups, 3 gatefolds, die-cuts, special features, and with a magnifying glass attached.

Shani, Annushka. From the Cradle to the Grave: Selected Drawings by DAMIEN HIRST. Foreword by Hugh Allen; 352 pp., 327 b&w plates.Oblong folio, cloth-backed boards. London, other CRITERIA, 2005.
Limited edition of 1,750 copies worldwide, unsigned.

London. Sotheby's. DAMIEN HIRST'S Pharmacy. 232 pages, including 166 color plates. 4to, wraps. 2004.
Complete with two pages of stickers laid-in, as issued.

Hirst, Damian and Jason Beard (editors). DAMIEN HIRST: The Death of God. Towards a Better Understanding of a Life Without God Aboard a Ship of Fools. Artist interview by Hilario Galguera; 172 pp., roughly 80 color illustrations. 8vo, wraps. London, Other Criteria, 2006.
Published to accompany an exhibition at the Galeria Hilario Galguera, Mexico City. Text in English and Spanish.

MILLER, HARLAND. In the darkest hour there may be light: Works from Damien Hirst's murderme collection. Interview with Hirst by Hans Ulrich Obrist; unpaginated, illustrated in color and b&w. 4to, boards. London, the Serpentine Gallery and Other Criteria, 2006.

SCHNEIDER, ECKHARD (editor) et al.. Re-Object: Marcel Duchamp, Damien Hirst, Jeff Koons, Gerhard Merz. 188 pp., over 10 illustrations, most in color, several gatefolds. 4to, cloth. Bregenz, Kunsthaus Bregenz, 2007.
Published to accompany an exhibition. Text in English and German.

Fuchs, Rudi et al. DAMIEN HIRST: For the Love of God - The Making of the Diamond Skull. 78 pp., illustrated throughout in color and b&w, including 1 fold-out. 4to, boards. London, Other Criteria and White Cube Gallery, 2007.
Published to accompany the 2007 exhibition "Beyond Belief" at White Cube in London. It gives pictorial insight into how the piece, "For the Love of God", was conceived and produced.

Self, Will, Rudi Fuchs, Hans Ulrich Obrist and Damian Hirst. Beyond Belief: DAMIEN HIRST. 196 pp., illustrated in color. 4to, cloth-backed boards. London, Other Criteria and White Cube, 2008.
Accompanies an exhibition at White Cube, London.

Bastian, Celine and Heiner (editors) with Aeneas Bastian. DAMIEN HIRST: Void. 56 pp., roughly 20 color plates. 4to, boards. Munich, Schirmer-Mosel, 2007.
Exhibition at the Ausstellungsraum Celine und Heiner Bastian, Berlin. Text in German and English.

Hirst, Damien. The Cancer Chronicles [SIGNED]. 35 pages. 8vo, wraps. London, Other Criteria, 2003.

ASPEN, Aspen Art Museum. Warhol/Koons/Hirst: Cult and Culture, Selections from the Vicki and Kent Logan Collection. Essay by Dean Sobel. 67 pages, including 26 color plates. 8vo, wraps. 2001.

Fuchs, Rudi et al. DAMIEN HIRST: For the Love of God - The Making of the Diamond Skull. 78 pp., illustrated throughout in color and b&w, including 1 fold-out. 4to, boards. London, Other Criteria and White Cube Gallery, 2007.
Signed edition

Banville, John (text), Richard Bradford (commentary) and Philip Larkin (poetry). DAMIEN HIRST: Superstition. 176 pp., roughly 80 color plates. 4to, boards. Beverly Hills and London, Gagosian Gallery in association with London, Other Criteria, 2007.
Accompanies an exhibition in Beverly Hills and London. Signed by Hirst.

Fuchs, Rudi (text) and Gordon Burn (artist interview). Nothing Matters: DAMIEN HIRST. Unpaginated, roughly 50 color plates, including numerous gatefolds. 4to, boards in plastic sleeve. London, Other Criteria, 2010.
Published on the occasion of an exhibition, this is the artist's new series of large-scale colour oil paintings

COOPER, JEREMY. Growing Up: The Young British Artists at 50. 176 pages, including 100 color and 35 b&w plates. 4to, boards. New York, Prestel, 2012.
Not in stock. Publication announced for April 2012