Paris. Grand Palais. Hommage a CLAUDE MONET (1840-1926). 378 pp. well documented catalogue with illus., some color plates,and end pages of photographs, square 4to, cloth. 1980.
F-6660.

Seitz, William C. CLAUDE MONET. Seasons and Moments. 64 pp., profusely illus., much in color, 4to, wraps. New York, M.O.M.A. 1960.
F-6683.

Wildenstein, Daniel. CLAUDE MONET: Biographie et Catalogue Raisonné. Tome III: 1887-1898: Peintures. 313 pp. text with entry numbers 1123 through 1500, all illustrated in b&w. Folio, cloth. Paris, Bibliotheque des Arts, 1979.
Freitag 6687.Catalogue Raisonné.

Wildenstein, Daniel. CLAUDE MONET: Biographie et Catalogue Raisonné: Tome IV: 1899-1926. Peintures. 443 pp. text with entry numbers 1501 through 1983, all illustrated; includes many photographs of the artist and 5 color plates. Folio, cloth. Paris, Bibliotheque des Arts, 1985.
Freitag 6687.Catalogue Raisonné.

Stuckey, Charles F. MONET: A Retrospective. 388 pp., 122 color plates, 3 on 4 gatefolds, and numerous illustrations. Thick folio, cloth. New York, Hugh Lauder, 1985.

Isaacson, Joel . Observation and Reflection - CLAUDE MONET. 240 pp. with 150 plates, many in color. Large square 4to, cloth. Oxford, Phaidon, 1978.
Freitag 6664.

NEW YORK. Acquavella Galleries. Four Masters of Impressionism. Unpaginated catalogue with a short introduction followed by 70 color plates by the four artists represented; Monet, Pissarro, Renoir and Sisley. 4to, wraps. 1968.

Bortolatto, Luigina Rossi and Janine Bailly-Herzberg. Tout l'Oeuvre Peint de MONET, 1870 - 1889. From the Series, "Les Classiques de l'Art". 115 pp. with 64 color plates and 377 b&w illustrations. Folio, cloth. Paris, Flammarion, 1981.
Freitag, 6680, the Italian edition.
Catalogue Raisonné.

Paris. Musee Marmottan. MONET et ses Amis. 92 pp. catalogue of a group exhibition includes 130 illustrations, a few in color. 4to, wraps. 1971.

Boston. Museum of Fine Arts. MONET in the '90s: The Series Paintings. Text by Paul Hayes Tucker; xvi and 324 pp. catalogue is illustrated by 98 color plates and 105 b&w figures. 4to, cloth. New Haven and London, Yale University, 1989.

New York. Acquavella. CLAUDE MONET. Unpaginated exhibition catalogue, illustrated with 68 color plates. 4to, wraps. 1976.

New York. Metropolitan Museum of Art. MONET's Years at Giverny: Beyond Impressionism. 182 pp. text by Daniel Wildenstein et al, with 81 full color reproductions, 3 gatefolds, and numerous b&w illustrations. Square 4to, wraps. 1978.
Freitag, 6673.

Wildenstein, Daniel. CLAUDE MONET: Catalogue Raisonné Tome V: Supplement aux Peintres, Dessins, Pastels, Index. Approximately 350 pp., hundreds of b&w illustraions. Folio, cloth. Paris, Bibliotheque des Arts, 1992.
A catalogue raisonné.

Spate, Virginia. CLAUDE MONET. Life and Work. 348 pp., with over 300 illustrations, of which 135 are in color. 4to, cloth. New York, Rizzoli,1992.

Wildenstein, Daniel. CLAUDE MONET: Biographie et Catalogue Raisonné. 5 Volumes,complete. Folio, cloth. Paris, La Bibliotheque des Arts, 1974- 1992.
Freitag, 6687.
The rare original edition of the Catalogue Raisonné.

Wildenstein, Daniel. CLAUDE MONET: Catalogue Raisonné. Four Volumes: 1,060 pp., inclusive, with over 2,000 colour and b&w illustrations. 4to, cloth, slipcased. Munich, Taschen Books in conjunction with the Wildenstein Institute, 1996.
New, updated catalogue raisonné with 100 newly discovered paintings.

Seiberling, Grace. MONET in London. 104 pp. with 37 color plates and additional b&w illustrations. Oblong 4to, wraps. Atlanta, High Museum of Art in association with Seattle, University of Washington Press, 1988.
Accompanies an exhibition.

Pissarro, Joachim. MONET and the Mediterranean. 191 pp., with 105 color plates, and 27 colour text-figures. Large 4to, cloth. New York, Rizzoli, 1997.
Published to accompany a travelling exhibition, this book documents Monet's visits to the Riviera and to Venice and his attempts to capture the brilliant light and dramatic landscapes of the region. The work is strikingly different than the more temperate landscapes that had earlier made his reputation.

Kalitina, Nina et al. CLAUDE MONET: The Power and the Harmony of Impressionism. 160 pp. with 36 color and 50 b&w illustrations. 4to, cloth. London, Parkstone, 1996.
A general overview of the artist's life and career, featuring work in the collections of the Russian museums.

Wilson-Bareau, Juliet. MANET, MONET and the Gare Saint-Lazare. xii and 210 pp., roughly 101 b&w and 60 color illustrations. 4to, cloth. Washington, National Gallery of Art/New Haven, Yale University Press, 1998.
This book accompanies an exhibition that travels from the Musee d'Orsay to the National Gallery of Art in Washington. Depictions of the Gare Saint-Lazare form the centerpiece of a show that examines artists' reactions to industrialization and the modern city.

Sagner-Duchting, Karin (editor). MONET and Modernism. With contributions by Gottfried Boehm, Hajo Duchtung et al.; 312 pp., 161 colour and 64 b&w illustrations. 4to, cloth. Munich - London - New York, Prestel, 2001.
This book has been published to accompany an exhibition in Munich that includes works from the 1890s to the 1920s and which examines Monet's influence on a variety of 20th century artists. Text in English.

Boston. Museum of Fine Arts. MONET in the '90s: The Series Paintings. Text by Paul Hayes Tucker; xvi and 324 pp. catalogue is illustrated by 98 color plates and 105 b&w figures. 4to, wraps. New Haven and London, Yale University, 1989.

Von Holst, Christian, Christofer Conrad et al.. CLAUDE MONET: Fields in Spring. 164 pp., 118 color and b&w figures. Large, oblong 4to, boards. Stuttgart, Statsgalerie, in association with Ostfildern-Ruit, Hatje Cantz, 2006.
The 40 paintings featured here follow Claude Monet's progress through years of landscapes, tracking changes in his work and making the case that fields and meadows may have been his most revealing theme. The book takes the seminal 1887 work, "Fields of Spring" as the crucial point in his development of the subject, and moves backward and forward from that painting to create an in-depth understanding of how Monet perfected the organization and harmony of these works.

Eluere, Christiane. MONET et la Riviera. 192 pp., 145 illustrations, most in color. 4to, cloth. Paris, Citadelles & Mazenod, 2006.
In 1883 Monet was introduced to the Riviera by his friend, Pierre-Auguste Renoir; between 1883 to 1888 he made three trips there. This book examines his paintings and drawings of the area's exuberant natural beauty, using his correspondance and archival photographs to further illuminate his work. Text in French.

Ganz, James. A. and Richard Kendall. The Unknown MONET: Pastels and Drawings. xii and 316 pp., 223 color and 74 b&w illustrations. 4to, cloth. Williamstown, Sterling and francine Clark Art Institute, in association with New Haven and London, Yale University Press, 2007.
Monet is best known for his paintings, but he was also a deft draftsman, as shown here in this revolutionary new collection of pastels, drawings and sketchbooks. This exhibition catalogue includes recently discovered, unpublished works created over the course of the artist's career.
Exhibition at the Royal Academy of Arts, London and the Sterling and Francine Clark Art Institute, Williamstown.

Baillio, Joseph et al.. MONET (1840-1926): A Tribute to Daniel Wildenstein and Katia Granoff. 344 pp., hundreds of color and b&w illustrations. 4to, wraps. New York, Wildenstein, 2007.
Accompanies an exhibition.

Rey, Jean-Dominique and Denis Rouart. MONET's Water Lilies: The Complete Series 160 pp., roughly 225 color and b&w illustrations, including numerous color gate-fold plates. 4to, cloth. Paris, Flammarion, 2008.
Monet's ubiquitous water lilies are fridge magnet fodder, but this book restores their freshness and vibrancy with exquisite reproductions and surprisingly jargon-free text. Thumb-nail color reproductions of the 210 water lily paintings and period shots of Giverny with Monet amongst the flora round it all off with charm and precision.

Stuckey, Charles. CLAUDE MONET 1840 - 1926. 282 pp. with 278 illustrations, 226 in color. Large 4to, wraps. New York, Thames & Hudson, 1995.
An important survey of Claude Monet's work, accompanying a major retrospective to be held at the Art Institute of Chicago in July 1995. The exhibiton will be the largest held on this artist in an American Museum in the last forty years, and will bring together Monet's most important works from museums and collections all over the world. Noted art historian Charles Stuckey has contributed an introductory essay and an extensive year-by-year chronology documenting the artist's life. Includes documentary photographs as well as illustrations of some key works which are not part of the exhibition.