Shikes, Ralph E. & Paula Harper. PISSARRO. His Life and Work. 362 pp. profusely illus., some color plates. New York, Horizon Press, 1980.
Freitag 7622.

New York. Wildenstein. C. PISSARRO Loan Exhibition. Brief text by John Rewald; unpaginated, 87 plates, some in color, plus 2 addenda plates. 4to, wraps. 1965.

Lloyd, Christopher. PISSARRO. 151 pp. with 182 monochrome and 50 color plates, square folio, cloth. New York, Rizzoli, 1981.
F-7615

Tokyo. Isetan Museum of Art. Retrospective: CAMILLE PISSARRO. 159 pp. exhibition catalogue with 72 color plates and many small b&w reproductions. 4to, wraps. 1984.
Exhibition in Tokyo, Fukuoda, and Kyoto.

Pissarro, Ludovic Rodo and Lionello Venturi. PISSARRO - Son Art - Son Oeuvre. 2 volume reprint of the 1939 catalogue raisonne. Text volume with 354 pp., plate volume with 312 plates, 1668 b&w illustrations. Large 4tos, cloth. San Francisco, Wofsy, 1989.
See Freitag 7620.

London. Hayward Gallery. CAMILLE PISSARRO, 1830 - 1903. 264 pp., 17 color plates and 230 b&w illustrations. 4to, wraps. London, Arts Council of Great Britain, 1980.
Freitag, 7612. Exhibition in London, Paris and Boston.

London. Marlborough Fine Art. PISSARRO In England. 75 pp. with 45 plates, many are in color, and some text illustrations. Square 4to, wraps. 1968.-KE-

Lecomte, Georges. CAMILLE PISSARRO. 104 pp. text and 30 plates, a few in color, some tipped-in. Folio, cloth. Paris, Bernheim-Jeune, 1922.
Freitag, 7614.
Numbered copy of edition limited to 80 copies.

Brettell, Richard R. and Joachim Pissarro. The Impressionist and the City. PISSARRO's Series Paintings. Edited by Mary Anne Stevens; 234 pp with 150 color and 30 b/w illustrations. 4to, wraps. New Haven, Yale University Press, 1992.
Exhibition in Dallas, Philadelphia and London.

Pissarro, Joachim. CAMILLE PISSARRO. 310 pp. inlcude 354 illustrations, 205 in color. Folio, cloth. New York, Abrams, 1993.
A representative survey of the work of this first generation Impressionist, written by his great-grandson. The author challenges the artist's traditional image as a brilliant follower of others' innovations, instead showing how Pissarro often collaborated on projects with his colleagues, especially Degas and Cézanne. Many works which have never before been reproduced in color, or at all, are included in this volume.

Ward, Martha. PISSARRO, Neo-Impressionism, and the Spaces of the Avant-Garde. 353 pp., with 6 color plates and roughly 100 halftones. 4to, cloth. Chicago, University of Chicago Press, 1996.

Pissarro, Joachim and Stephanie Rachum. CAMILLE PISSARRO: Impressionist Innovator. 232 pages, including over 100 color plates. 4to, wraps. Jerusalem, The Israel Museum, 1994.

Pissarro, Joachim. CEZANNE & PISSARRO: Pioneering Modern Painting 1865 to 1885. 256 pp., 188 color and 25 b&w illustrations. 4to, cloth. New York, Museum of Modern Art, 2005.

Maloon, Terence et al. CAMILLE PISSARRO. Foreword by Edmund Capon; 259 pp., 105 color plates, 3 color and b&w figures. 4to, wraps. The Domain, Art Gallery of New South Wales, and Melbourne, National Gallery of Victoria in association with New Haven and London, Yale University Press, 2006.
Pissarro was a bold and restless experimentor throughout his career, working in a variety of mediums and techniques. This is the first book to examine closely Pissarro's innovative role in the Impressionist movement and his novel approach to pictorial composition. Exceptionally well illustrated with color reproductions and supported with five insightful essays by well-known art historians and scholars.

Rothkopf, Katherine, with essay by Christopher Lloyd and contributions by Gulru Cakmak and Mary Sebera. PISSARRO: Creating the Impressionist Landscape. 216 pp., 49 color plates, numerous color and b&w figures. 4to, cloth. Baltimore, The Baltimore Museum of Art, and London, Philip Wilson Publishers, 2006.
This is the first major study of Pissarro's landscape paintings created between 1864 and 1874. Published to accompany an exhibition at the Baltimore Museum of Art, the Milwaukee Art Museum and the Memphis Brooks Museum of Art.

Pissarro, Ludovic Rodo & Lionello Venturi. CAMILLE PISSARRO Son Art-Son Oeuvre. 2 volumes. The catalogue raisonne, fully illus., folio, wraps. Paris, Paul Rosenberg, 1939.
The rare original edition. One of 1000 copies. Still the standard work and catalogue raisonne. Lucas p. 179.

Brettell, Richard R.. PISSARRO's People. 320 pages, including 251 color and monochrome plates. 4to, cloth. San Francisco, Fine Arts Museums of San Francisco, and Williamstown, Sterling and Francine Clark Art Institute, in association with Munich, London, New York, Delmonico Prestel Publishing, 2011.
Exhibition in San Francisco and Williamstown.