Houston. Contemporary Arts Museum. Suicide Notes by BRICE MARDEN. 70 pp. of monochrome plates. Small folio, wraps, 1974.
In conjunction with a travelling exhibition.

New York. Guggenheim. BRICE MARDEN. 68 pp. exhibition catalogue includes about two dozen illustrations and a color frontispiece. Square 4to, wraps. 1975.

New York. Pace Gallery. BRICE MARDEN: Marbles, Paintings and Drawings. Unpaginated, illustrated in color and b&w. Oblong 4to, wraps. 1982.

New York. Hirschl & Adler Modern. YVES KLEIN, BRICE MARDEN, SIGMAR POLKE. 44 pp. exhibition catalogue, unpaginated, with 16 color plates. 4to, wraps. 1989.

New York. Gagosian Gallery. BRICE MARDEN: The Grove Group. Introduction by Robert Pincus-Witten. 64 pp. catalogue, 13 full page color plates and the Grove Group notebook reproduced page by page alongside a typed transcription. Oblong 4to, wraps. 1991.

London. Tate Gallery. BRICE MARDEN: Prints 1961-1991. Text by Jeremy Lewison. 176 pp. with 179 illustrations, 16 in color. 4to, wraps., 1992.
A catalogue raisonné.

Kertess, Klaus. BRICE MARDEN. Paintings and Drawings. 239 pp. with 158 illustrations of which 133 are in color. Large 4to, cloth. New York, Abrams, 1992.
The first complete illustrated analysis of Marden's art and its development from his student work to the recent Cold Mountain paintings, with text emphasizing his seminal role redefining abstraction in late twentieth-century painting.

Richardson, Brenda. BRICE MARDEN - Cold Mountain. 154 pp., 109 illustrations, 82 in colour. Oblong 4to, cloth. Houston, The Menil Foundation, 1992.
Catalogue for the traveling exhibition of Marden's paintings inspired by the Chinese poet, Cold Mountain.

Bern, Kunsthalle / Wiener, Secession. BRICE MARDEN Paintings 1985-1993. 101 pp. text, with scholarly essay by Yves-Alain Bois, followed by 35 mostly full-page color plates reproduced in scale. Folio, wraps. 1993.
This exhibition catalog documents the development of Marden's second painting style with reproductions of many transitional paintings heretofore unrepresented, except in difficult to obtain gallery catalogs. Text in both English and German.

Koepplin, Dieter. BRICE MARDEN. 92 pp., with over 100 illustrations in colour and b&w. 4to, wraps. Basel, Wiese Verlag, 1993.
Published to accompany an exhibition in Basel. Text in German.

New York. Matthew Marks Gallery. BRICE MARDEN: Chinese Work. Essay and interview by Jonathan hay; 31 pp. text, with 20 color and b&w illustrations, followed by 8 color plates. Large, thin 4to, wraps. 1997.
This is the catalogue of an exhibition of Marden's new paintings inspired by Chinese stone memorial tablets.

New York. Matthew Marks Gallery. BRICE MARDEN:Paintings Drawings Etchings. Unpaginated with approximately 60 illustrations all in color; includes 15 colour photographs of the artist's studio by David Seidner. 4to, cloth. 1993.

Wylie, Charles. BRICE MARDEN Work of the 1990s: Paintings, Drawings, and Prints. 80 pp., illustrated throughout in color. 4to, boards. Dallas, Museum of Art, in association with New York, Distributed Art Publishers, 1998.

Corrin, Lisa G. and Harry Cooper. BRICE MARDEN. Foreword by Julia Peyton-Jones; 72 pp., 28 colour plates and numerous colour figures. 4to, wraps. London, Serpentine Gallery. 2000.
A retrospective of paintings and related works on paper from the past decade, featuring Marden's recently completed "Attendant" series.

Codognato, Mario (editor). BRICE MARDEN: Works on Paper 1964-2001. 168 pp., roughly 70 color, and 6 b&w illustrations. 4to, boards. London, Trolley, 2002.
A compendium of three exhibitions (Rome, Turin, Munster) of works chosen by the artist.

Keller, Eva and Regula Malin (editors). BRICE MARDEN. 136 pp., 44 color plates, numerous color figures. 4to, cloth. New York and Zurich, Scalo, 2003.
This catalogue for a show at the Daros Collection in Zurich features 20 paintings and 60 works on paper spanning 40 years of the artist's oeuvre. In an interview with John Yau, Marden reflects on the trajectory of his creative development, his perception and use of color, his approach to the pictorial plane and numerous other subjects which provide an understanding of the complexities and nuances in his work. Text in English and German.

New York. C&M Arts. BRICE MARDEN: Classic Paintings. Essay by Robert Pincus-Witten; unpaginated, 5 b&w and 9 color 8vo, cloth. 1999.

Liebmann, Lisa (essay). BRICE MARDEN: Paintings on Marble. 11 pp. essay, 11 color figures, followed by 30 color plates. 4to, cloth. New York, Matthew Marks Gallery and Gottingen, Steidl, 2004.
Between 1981 and 1987 Marden made a series of 32 paintings on fragments of marble that he gathered on the Greek island Hydra, the location of several ancient marble quarries. These works are presented here for the first time, with an essay discussing their importance in the transition from the earlier monochromatic paintings to the more organic, calligraphic work that followed. Published to accompany an exhibition.

Garrels, Gary et al.. Plane Image. A BRICE MARDEN Retrospective. 330 pp., 261 color and 13 b&w illustrations. 4to, cloth. New York, Museum of Modern Art, 2006.
This catalogue for Brice Marden's first major American retrospective features work from the early 1960s to the present. It is the first overview to follow his entire career, and pays special attention his gradual and deliberate evolution, along with his constant exploration of light, color, and surface.Two of Marden's most recent paintings appear here for the first time.

Weiss, Jeffrey (essay). BRICE MARDEN Letters. 48 pages, 5 color figures, 41 color plates. Oblong 4to, cloth. New York, Matthew Marks Gallery, 2010.
Accompanies an exhibition.