London, Barbara. BILL VIOLA: Installations and Videotapes. 89 pp. catalogue with 80 b&w and 44 color illustrations. 4to, wraps. New York, M.O.M.A., 1987.

Los Angeles. LACMA. BILL VIOLA. Text by David Ross et al. 214 pp., with 272 illustrations, 198 of which are in colour. 4to, cloth. New York, Whitney Museum of Art in association with Paris/ New York, Flammarion, 1997.
This book documents a major survey exhibition, presenting fifteen of the artist's video installations from the mid-70s through the present, his single-channel video works, preparatory drawings and notebooks. The text also includes a chronology, source material, exhibition history, videography, and bibliography.

Hanhardt, John G. and Dr. Rolf E. Breuer. Going Forth by Day: BILL VIOLA. 152 pp., fully illustrated in color and b&w. 4to, cloth. New York, Guggenheim Museum Publications in association with Harry N. Abrams, 2002.
This newest and most provocative work, on display at the Guggenheim museums in Berlin and Bilbao, features an ordered sequence of allegorical fresco-like images which immerse the viewer in a total aesthetic, sensory, and philosophical experience.

Salzburg. Salzburger Kunstverein. BILL VIOLA. 261 pages. 4to, wraps. Salzburg. Salzburger Kunstverein, 1994.

Walsh, John (editor). BILL VIOLA: The Passions. Essays by Walsh and Peter Sellars, artist conversation with Hans Belting, and visual documentation by Kira Perow; 308 pp., 210 color and 30 b&w illustrations. 4to, wraps. Los Angeles, Getty Publications, in association with London, The National Gallery of Art, 2003.
This catalogue documents a series of 20 video works made by Viola during the past two years. The videos will be on view at the Getty Museum and will then travel to the London National Gallery.

Hanhardt, John G. and Maria-Christina Villasenor (organisors). Going Forth by Day: BILL VIOLA. With text by the artist; 152 pp., fully illustrated in color and b&w. 4to, cloth. New York, Guggenheim Museum Publications, 2002.
Text in German. This newest and most provocative work, on display at the Guggenheim museums in Berlin and Bilbao, features an ordered sequence of allegorical fresco-like images which immerse the viewer in a total aesthetic, sensory, and philosophical experience.