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    • Eye Contact: Modern American Portrait Drawings from the National Portr


    • REAVES, WENDY WICK, with an essay by Bernard F. Reilly Jr. Eye Contact: Modern American Portrait Drawings from the National Portrait Gallery. Contributions by numerous authors; 256 pp., 65 b&w figures and 50 color and b&w plates. 4to, cloth. Washington, National Portrait Gallery Smithsonian Institution in association with Seattle and London, The University of Washington Press, 2002.
      Published to accompany a travelling exhibition.


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    • Subjective Realities: Works From The Refco Collection of Contemporary


    • REFCO Collection]. Subjective Realities: Works From The Refco Collection of Contemporary Photography. Essay by Dave Hickey, introduction by Judith Russi Kirshner; 282 pp., fully illustrated in color and b&w. 4to, wraps. New York and Chicago, The Refco Group, Ltd., 2004.
      Includes work by Vito Acconci, Janine Antoni, Matthew Barney, Chris Burden, Jean-Marc Bustamante, Sophie Calle, Gregory Crewdson, Rineke Dijkstra, Olafur Eliasson, Barbara Ess, Walker Evans, Adam Fuss, Ann Hamilton, Eva Hesse, Axel Hutte, Seydou Keita, Inigo Manglano-Ovalle, Ana Mendieta, Gordon Matta-Clark, Mariko Mori, Catherine Opie, and Richard Prince


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    • From Margin to Center: The Spaces of Installation Art


    • REISS, JULIE H. From Margin to Center: The Spaces of Installation Art. 182 pp., illustrated in b&w. 8vo, cloth. Cambridge, MIT Press, 1999.
      The primary focus of this scholarly study is installation art created in New York City beginning in the late 1950s.


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    • Studies in Impressionism.


    • REWALD, JOHN. Studies in Impressionism. 232 pp. with 8 color and 101 b&w illustrations. 4to, cloth. New York, Abrams, 1986.


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    • LES FAUVES


    • REWALD, JOHN (introduction). Les Fauves. 48 pages, illustrated in color and b&w. Small 4to, wraps. New York, M.O.M.A., 1952.


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    • PAUL CEZANNE

    • CEZANNE and America: Dealers, Collectors, Artists and Critics.


    • Rewald, John. CEZANNE and America: Dealers, Collectors, Artists and Critics. 1891-1921. 352 pp. with 193 illustrations, 16 in color. From the A. W. Mellon Lectures in the Fine Arts series. 4to, cloth. Princeton, University Press 1989.
      Indispensable with much information on dealers and collectors.Arntzen R1 cites the series.


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    • The American Matisse: The Dealer, His Artists, His Collection


    • REWALD, SABINE and Magdalena Dabrowski. The American Matisse: The Dealer, His Artists, His Collection. x and 198 pages, including 109 color and 44 b&w illustrations. 4to, cloth. New York, Metropolitan Museum of Art in association with New Haven and London, Yale University Press, 2009.
      The Pierre and Maria-Gaetana Matisse Collection.


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    • The History of Impressionism.


    • REWALD. JOHN. The History of Impressionism. 474 pp., illustrated throughout in colour and b&w. Small 4to, cloth. New York, Museum of Modern Art, 1946.


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    • JOSHUA REYNOLDS

    • A Journey to Flanders and Holland


    • REYNOLDS, SIR JOSHUA. A Journey to Flanders and Holland. Edited by Harry Mount. 275 pp. with 16 color plates and 80 halftones. 8vo. cloth. New York, Cambridge University Press, 1996.
      This account of the pictures seen in the Low Countries in 1781 by Sir Joshua Reynolds is available for the first time in a full critical edition with explanatory notes on the text and illustrations most discussed by this celebrated English portrait painter and art theorist.


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    • MAYA DEREN

    • Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman


    • RICE, SHELLEY. Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman. 168 pp., 21 b&w figures and 56 color and b&w plates. 4to, wraps. Cambridge, MIT, 1999.
      An examination of the idea of self by three women photographers representing different generations.


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    • Sammlung Rolf Ricke / Rolf Ricke Collection. Ein Zeitdokument / A Docu


    • MEYER-STOLL, CHRISTIANE et al. Sammlung Rolf Ricke / Rolf Ricke Collection. Ein Zeitdokument / A Document of the Times. 448 pages, hundreds of color and b&w illustrations. 4to, boards. Ostfildern, Hatje Cantz, 2008.
      Exhibition at the Kunstmuseum , St. Gallen, the Kunstmuseum Liechtenstein, Vaduz, and the Museum fur moderne Kunst, Frankfurt. Text in German and English.


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    • Modern Photographs: The Machine, the Body, and the City. Selections f


    • GRUNDBERG, ANDY. Modern Photographs: The Machine, the Body, and the City. Selections from the Charles Cowles Collection. Introduction by Terence Riley; 124 pp., illustrated throughout in color and b&w. 4to, wraps. Miami, Miami Art Museum, 2007.
      Published to accompany an exhibition.


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    • MoMA Qns: Boxed Set


    • RILEY, TERENCE. MoMA Qns: Boxed Set. Contains "To Be Looked At", "Tempo" and "MoMA QNS"; 4to's, wrps in plastic slipcase. New York, The Museum of Modern Art and D.A.P. , 2002.


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    • The Changing of the Avant-Garde. Visionary Architectural Drawings from


    • RILEY, TERENCE et al. The Changing of the Avant-Garde. Visionary Architectural Drawings from the Howard Gilman Collection. Text by numerous authors; 192 pp., 205 color illustrations. Oblong 4to, cloth New York, The Museum of Modern Art, 2002.
      This catalog accompanies an architectural drawings show at MoMA.


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    • The American Effect: Global Perspectives on the United States, 1990-20


    • RINDER, LAWRENCE (editor). The American Effect. Global Perspectives on the United States, 1990-2003. . Text by a variety of authors; 216 pp., illustrated throughout in color and b&w. 4to, cloth-backed boards. New York, The Whitney Museum of American Art, in association with Harry N. Abrams, 2003.
      This book, and the show it accompanies at the Whitney Museum, features painting, drawing, photography, video, film, and installation art by nearly 50 artists from 30 countries. It explores the wide range of global perceptions of American society and culture in works by artists around the world.


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    • Gauguin, Cezanne, Matisse: Visions of Arcadia 1900


    • RISHEL, JOSEPH (editor) et al. Gauguin, Cezanne, Matisse: Visions of Arcadia. x and 248 pages, including 199 color and b&w plates. 4to, cloth. Philadelphia, Philadelphia Museum of Art, in association with New Haven and London, Yale University Press, 2012.
      Exhibition in Philadelphia.


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    • The Arts in Latin America, 1492-1820


    • RISHEL, JOSEPH J. et al.. The Arts in Latin America, 1492-1820. xxiv and 568 pp., 431 color and 45 b&w illustrations. 4to, cloth. Philadelphia, Museum of Art in association with New Haven and London, Yale University Press, 2006
      Written by a team of distinguished scholars, this exhibition catalogue for a traveling show explores the confluence of styles, materials, and techniques among Europe, Africa, Asia, and the Americas through the end of the colonial period. Beautifully illustrated with many previously unpublished paintings and objects, the book presents a beautiful selection of decorative arts, textiles, silver, scuplture, painting and furniture.


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