STUTTGART. AMERIKA HAUS and Olomouc, Muzeum umeni Olomouc. much POP, more ART: Art of the 60s in Graphic Works, Multiples, and Publications [Deluxe Edition]. Text by bv Zdenek Primus; 2 volumes; Stuttgart: 118 pp., illustrated in color and b&w; Olomouc: 120 pp., monochrome illustrations. 4to's wraps in plexiglas holder with 2 full color posters. 1992 and 1994.
Texts in English, German and Czech.

PRINCENTHAL, NANCY (editor) et al. The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991. 176 pages, illustrated in color and b&w. 4to, cloth. Purchase, Neuberger Museum of Art, in association with Munich, Berlin, London, New York, DelMonico Books - Prestel, 2011.
Exhibition in Purchase, NY, and Durham, NC.

PRINCETON. The Art Museum, Princeton University. Painting in Spain 1650 - 1700 from North American Collections. xvi and 184 pp. fully illustrated catalogue by Edward J. Sullivan and Nina A. Mallory. 4to, cloth. 1982.

LEE MILLER

Prodger, Phillip, with Lynda Roscoe Hartigan and Antony Penrose. MAN RAY LEE MILLER: Partners in Surrealism. 160 pages, roughly 100 color and b&w plates. 4to, boards. Salem, Peabody Essex Museum, in association with London and New York, Merrell, 2011.
Exhibition in Salem, Montclair and San Francisco.

PETER PAUL RUBENS

PROVIDENCE. Brown University, Department of Art. Rubenism. 278 pp. catalogue with 88 entries, each illustrated in b&w. 4to, wraps. 1975.
Exhibition at the Bell Gallery.

PROVIDENCE. Rhode Island School of Design. Caricature and its Role in Graphic Satire. 120 pp. with 110 monochrome illustrations. 4to, wraps. 1971.

DEITCH, JEFFREY. Post Human. 144 pp., illustrations and graphics throughout. 4to, wraps. 1992.

JOAQUIN TORRES-GARCIA

RAMIREZ, MARI CARMEN. El Taller Torres-Garcia: The School of the South and its Legacy. 395 pp. with over 150 illustrations, a few in color. 4to, wraps. Austin, University of Texas Press, 1992.

RAND, RICHARD and Kathleen M. Morris, with essay by David Ekserdjian. Eye to Eye: European Portraits, 1450-1850. 160 pages, including 78 color plates. 4to, cloth. Williamstown, Sterling and Francine Clark Art Institute, in association withNew Haven and London, Yale University Press, 2011.
Exhibition in Williamstown.

RASMUSSEN, WALDO et al. Latin American Artists of the Twentieth Century. 424 pp., 194 colorplate reproductions of the work of 96 artists, plus an additional 178 monochrome illustrations. Large 4to, cloth. New York, Abrams, 1993.
A survey catalogue published to accompany an exhibition at the Museum of Modern Art, the largest and most comprehensive show of works on this subject ever assembled.

RATHBONE, E. et al. Impressionists on the Seine: A Celebration of Renoir's "Luncheon of the Boating Party". Includes texts by Katherine Rothkopf, Richard R. Brettell and Charles S. Moffett. 264 pp. with 173 illustrations, of which 84 are in full colour. Large 4to, wraps. Washington, Counterpoint in Association with the Phillips Collection, 1996.
This publication accompanies a special exhibition of works from around the world, with more than 60 riverscape paintings by Renoir, Monet, Manet, Sisley, Pissarro, Morisot, and Caillebotte. The focus of the show is on Renoirs "Luncheon of the Boating Party" (1880-1881), and the recent extensive technical examination of the painting which reveal the changes Renoir made in it's composition. The text explores in separate essays the artistic and historic aspects of the Impressionists' fascination with the Seine.

RATTEMEYER, CHRISTIAN et al. Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection. 320 pages, including 408 color plates. 4to, boards. New York, Museum of Modern Art, 2009.

RAYMOND, MARCEL. From Baudelaire to Surrealism. Essays by R. Motherwell, H. Rosenberg & D.H. Kahnweiler. 428 pp., illus., 8vo, wraps. London, Peter Owen Ltd., 1961.

RAYNER, GEOFF et al. Artists' Textiles: Artist Designed Textiles 1940-1976. 304 pages, roughly 200 color and 20 b&w plates, including several gatefolds. 4to, wraps. Woodbridge and New York, Antique Collectors' Club, 2012.

REAVES, WENDY WICK, with an essay by Bernard F. Reilly Jr. Eye Contact: Modern American Portrait Drawings from the National Portrait Gallery. Contributions by numerous authors; 256 pp., 65 b&w figures and 50 color and b&w plates. 4to, cloth. Washington, National Portrait Gallery Smithsonian Institution in association with Seattle and London, The University of Washington Press, 2002.
Published to accompany a travelling exhibition.

RECKITT, HELENA (preface) and Peggy Phelan (survey). Art and Feminism. Survey byPeggy Phelan; 304 pp., roughly 175 color, and 85 b&w illustrations. 4to, cloth. London and New York, Phaidon, 2001.

REFCO Collection]. Subjective Realities: Works From The Refco Collection of Contemporary Photography. Essay by Dave Hickey, introduction by Judith Russi Kirshner; 282 pp., fully illustrated in color and b&w. 4to, wraps. New York and Chicago, The Refco Group, Ltd., 2004.
Includes work by Vito Acconci, Janine Antoni, Matthew Barney, Chris Burden, Jean-Marc Bustamante, Sophie Calle, Gregory Crewdson, Rineke Dijkstra, Olafur Eliasson, Barbara Ess, Walker Evans, Adam Fuss, Ann Hamilton, Eva Hesse, Axel Hutte, Seydou Keita, Inigo Manglano-Ovalle, Ana Mendieta, Gordon Matta-Clark, Mariko Mori, Catherine Opie, and Richard Prince

REISS, JULIE H. From Margin to Center: The Spaces of Installation Art. 182 pp., illustrated in b&w. 8vo, cloth. Cambridge, MIT Press, 1999.
The primary focus of this scholarly study is installation art created in New York City beginning in the late 1950s.

RESPINI, EVA. Into the Sunset: Photography's Image of the American West. 168 pages, 18 color and b&w figures, 133 color and b&w plates. 4to, cloth. New York, Museum of Modern Art, 2009.
Exhibition in New York and Seattle.

REWALD, JOHN. Post-Impressionism from Van Gogh to Gaughin. Thick 4to, cloth. New York, M.O.M.A. 1956.