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    • PETER PAUL RUBENS

    • RUBENISM.


    • PROVIDENCE. Brown University, Department of Art. Rubenism. 278 pp. catalogue with 88 entries, each illustrated in b&w. 4to, wraps. 1975.
      Exhibition at the Bell Gallery.


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    • Catalogue of Italian Maiolica.


    • RACKHAM, BERNARD & J. V. G. Mallet. Catalogue of Italian Maiolica. 2 Volumes: Text, 486 pages; Plates, 1441 b&w images contained in 222 plates. 4to, cloth volumes in slipcase. London, Victoria & Albert Museum, 1977.
      An amended reprint of the original 1940 edition.



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    • Italienische Majolika.


    • RASMUSSEN, JORG. Italienische Majolika. 348 pages, including 16 color plates, and over 200 b&w illustrations. 4to, wraps. Hamburg, Museum für Kunst und Gewerbe, 1984. Text in German.


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    • Latin American Artists of the Twentieth Century.


    • RASMUSSEN, WALDO et al. Latin American Artists of the Twentieth Century. 424 pp., 194 colorplate reproductions of the work of 96 artists, plus an additional 178 monochrome illustrations. Large 4to, cloth. New York, Abrams, 1993.
      A survey catalogue published to accompany an exhibition at the Museum of Modern Art, the largest and most comprehensive show of works on this subject ever assembled.


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    • Impressionists on the Seine: A Celebration of Renoir's "Luncheon o


    • RATHBONE, E. et al. Impressionists on the Seine: A Celebration of Renoir's "Luncheon of the Boating Party". Includes texts by Katherine Rothkopf, Richard R. Brettell and Charles S. Moffett. 264 pp. with 173 illustrations, of which 84 are in full colour. Large 4to, wraps. Washington, Counterpoint in Association with the Phillips Collection, 1996.
      This publication accompanies a special exhibition of works from around the world, with more than 60 riverscape paintings by Renoir, Monet, Manet, Sisley, Pissarro, Morisot, and Caillebotte. The focus of the show is on Renoirs "Luncheon of the Boating Party" (1880-1881), and the recent extensive technical examination of the painting which reveal the changes Renoir made in it's composition. The text explores in separate essays the artistic and historic aspects of the Impressionists' fascination with the Seine.



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    • FROM BAUDELAIRE TO SURREALISM


    • RAYMOND, MARCEL. From Baudelaire to Surrealism. Essays by R. Motherwell, H. Rosenberg & D.H. Kahnweiler. 428 pp., illus., 8vo, wraps. London, Peter Owen Ltd., 1961.


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    • Artists' Textiles: Artist Designed Textiles 1940-1976


    • RAYNER, GEOFF et al. Artists' Textiles: Artist Designed Textiles 1940-1976. 304 pages, roughly 200 color and 20 b&w plates, including several gatefolds. 4to, wraps. Woodbridge and New York, Antique Collectors' Club, 2012.


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    • Eye Contact: Modern American Portrait Drawings from the National Portr


    • REAVES, WENDY WICK, with an essay by Bernard F. Reilly Jr. Eye Contact: Modern American Portrait Drawings from the National Portrait Gallery. Contributions by numerous authors; 256 pp., 65 b&w figures and 50 color and b&w plates. 4to, cloth. Washington, National Portrait Gallery Smithsonian Institution in association with Seattle and London, The University of Washington Press, 2002.
      Published to accompany a travelling exhibition.


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    • Subjective Realities: Works From The Refco Collection of Contemporary


    • REFCO Collection]. Subjective Realities: Works From The Refco Collection of Contemporary Photography. Essay by Dave Hickey, introduction by Judith Russi Kirshner; 282 pp., fully illustrated in color and b&w. 4to, wraps. New York and Chicago, The Refco Group, Ltd., 2004.
      Includes work by Vito Acconci, Janine Antoni, Matthew Barney, Chris Burden, Jean-Marc Bustamante, Sophie Calle, Gregory Crewdson, Rineke Dijkstra, Olafur Eliasson, Barbara Ess, Walker Evans, Adam Fuss, Ann Hamilton, Eva Hesse, Axel Hutte, Seydou Keita, Inigo Manglano-Ovalle, Ana Mendieta, Gordon Matta-Clark, Mariko Mori, Catherine Opie, and Richard Prince


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    • From Margin to Center: The Spaces of Installation Art


    • REISS, JULIE H. From Margin to Center: The Spaces of Installation Art. 182 pp., illustrated in b&w. 8vo, cloth. Cambridge, MIT Press, 1999.
      The primary focus of this scholarly study is installation art created in New York City beginning in the late 1950s.


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    • Studies in Impressionism.


    • REWALD, JOHN. Studies in Impressionism. 232 pp. with 8 color and 101 b&w illustrations. 4to, cloth. New York, Abrams, 1986.


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    • LES FAUVES


    • REWALD, JOHN (introduction). Les Fauves. 48 pages, illustrated in color and b&w. Small 4to, wraps. New York, M.O.M.A., 1952.


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    • PAUL CEZANNE

    • CEZANNE and America: Dealers, Collectors, Artists and Critics.


    • Rewald, John. CEZANNE and America: Dealers, Collectors, Artists and Critics. 1891-1921. 352 pp. with 193 illustrations, 16 in color. From the A. W. Mellon Lectures in the Fine Arts series. 4to, cloth. Princeton, University Press 1989.
      Indispensable with much information on dealers and collectors.Arntzen R1 cites the series.


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    • The American Matisse: The Dealer, His Artists, His Collection


    • REWALD, SABINE and Magdalena Dabrowski. The American Matisse: The Dealer, His Artists, His Collection. x and 198 pages, including 109 color and 44 b&w illustrations. 4to, cloth. New York, Metropolitan Museum of Art in association with New Haven and London, Yale University Press, 2009.
      The Pierre and Maria-Gaetana Matisse Collection.



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