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    • Art & Place: Site-Specific Art of the Americas


    • PHAIDON EDITORS. Art & Place: Site-Specific Art of the Americas. 368 pages, including 800 color plates. 4to, cloth. New York, Phaidon Press, 2013.
      This encyclopedic compendium of 500 site-specific art works from 15 North and South American countries is a fascinating resource and a visually engaging road trip from cave paintings to neon installations. Organised geographically, each work is given at least 2 pages of full color plates, with a side bar describing the project and artist. Many of these works are difficult to reach, although all are accessible. One chapter is devoted to ephemeral or destroyed works.


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    • Video Art.


    • PHILADELPHIA. Institute of Contemporary Art. Video Art. 116 pp. illustrated in b&w. Oblong 4to, wraps. 1975.


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    • Current Art


    • Philadelphia. Institute of Contemporary Art. Current Art. 22 pages with 10 color and b&w plates. 4to, wraps. 1969.


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    • Group Zero


    • Philadelphia. Institute of Contemporary Art. Group Zero. 76 pages, 30 black and white illustrations. Square 8vo, boards. 1964.
      Documents the first large group show of the Zero Group in the United States.


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    • Futurism and the International Avant-Garde.


    • PHILADELPHIA. Museum of Art. Futurism and the International Avant-Garde. By Anne d'Harnoncourt, Essay by Germano Celant. 47 pp. text including 60 small b&w illustrations, followed by 133 plates and illustrations, some in color. Folio, wraps. 1981.


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    • Grand Scale: Monumental Prints in the Age of Durer and Titian


    • SILVER, LARRY and Elizabeth Wyckoff (editors) et al. Grand Scale: Monumental Prints in the Age of Durer and Titian. 176 pp., illustrated throughout, mostly in b&w. 4to, cloth-backed boards. Wellesley, Davis Museum and Cultural Center in association with New Haven and London, Yale University Press, 2008.
      Exhibition in Wellesley, New Haven and Philadelphia.


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    • French Primitive Photography


    • PHILADELPHIA. Museum of Art. French Primitive Photography. Intro. by Minor White. Commentaries by Andre Jammes & Robert Sobieszek. Unpag. text and catalogue with several plates. 4to, wraps. 1969.
      Arntzen O73.


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    • Hammer Projects 1999-2009


    • PHILBIN, ANN (foreword) and Christopher Miles. Hammer Projects 1999-2009. 432 pages, hundreds of color illustrations. 4to, boards in slipcase. Los Angeles, Hammer Museum, 2009.


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    • Beat Culture and the New America 1950-1965


    • PHILLIPS, LISA. Beat Culture and the New America 1950-1965. 280 pp. with approximately 35 colour and 185 b&w illustrations. 4to, wraps. New York, Abbeville Press/ Flammarion for the Whitney Museum of American Art, 1995.


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    • The American Century: Art and Culture, 1950-2000.


    • PHILLIPS, LISA. The American Century: Art and Culture, 1950-2000. 400 pp. 608 colour and b&w illustrations. 4to, cloth. New York, Whitney Museum of American Art in association with W.W. Norton, 1999.
      The second part of the millenium Whitney Museum show.




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    • A Tradition Established 1940-1970.


    • PHILLIPS, LISA. A Tradition Established 1940-1970. Unpaginated catalogue features several selections from the permanent collection in the post-war period. Small 4to, wraps. Stamford, Whitney Museum of American Art, Fairfield County, 1981.



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    • Live in your Head


    • PHILLPOT, CLIVE and Andrea Tarsia. Live in your Head. Additional essays by Michael Archer and Rosetta Brooks; 176 pp., illustrated in b&w. 4to, wraps. London, Whitechapel Gallery, 2001.
      This exhibition will feature a selelction of 85 paintings from some of the 725 shows at the Whitechapel Gallery in the last century.


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    • PAUL GAUGUIN

    • GAUGUIN and the School of Pont-Aven


    • PICKVANCE, RONALD. Gauguin and the School of Pont-Aven. Foreword by Richard Brettell; 168 pages, over 130 color plates, numerous color and b&w figures. 4to, wraps. San Diego, The San Diego Museum of Art, 1994.
      Accompanied a travelling exhibition.



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