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    • Masterpieces from the David and Peggy Rockefeller Collection, Manet to


    • [ROCKEFELLER Collection]. Varnedoe, Kirk. Masterpieces from the David and Peggy Rockefeller Collection, Manet to Picasso. 100 pp., 22 color and 5 b&w illustrations. Folio, cloth. New York, Abrams for The Museum of Modern Art, 1994.
      An exhibition catalogue of 21 magnificent paintings from the Rockefeller Collection on display at MoMA from June to September 1994. Each of the paintings is reproduced in full color, among them paintings by Bonnard, Gris, Manet, Monet, Pisarro, Renoir and Seurat. Kirk Varnedoe has provided a text that compares and contrasts the works as examples of changing approaches to landscape, cityscape, still life and figure painting in the late19th and early 20th centuries.


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    • High and Low Modern Art and Popular Culture.


    • VARNEDOE, KIRK and ADAM GOPNIK. High and Low Modern Art and Popular Culture. Exhibit catalogue of 460 pp. with 626 illustrations, 193 in color. Folio, cloth. New York, MOMA, 1990.


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    • Sonsbeek 86: Internationale Beelden Tentoonstelling/International...


    • UTRECHT, Veen - Reflex. Sonsbeek 86: Internationale Beelden Tentoonstelling/International Sculpture Exhibition: 2 Volumes. 384 pages total, one volume (with essays) is 272 pages including 100s of b&w illustrations; the second volume constists of plates (with small explanations) in b&w and color, depending upon what the artist intended. 4to, wraps. 1986.


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    • XXXII INTERNATIONAL BIENNIAL EXHIBITION OF ART.


    • VENICE. XXXII International Biennial Exhibition of Art. United States of America. Four Germinal Painters. Four Younger Artists. Unpaginated catalogue with brief text and approximately 20 reproductions, most of them in color. Among others featuring Noland, Johns, Stella, Rauschenberg, Oldenburg. Large 4to, wraps. 1964.
      Important Biennial catalogue.


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    • Making Worlds/Fare Mondi: 53rd Internaional Art Exhibition, La Biennal


    • VENICE. Biennale di Venezia. Making Worlds/Fare Mondi: 53rd Internaional Art Exhibition, La Biennale di Venezia. Edited by Daniel Birnbaum and Jochen Volz; 2 volumes; Exhibition: 310 pages; Participating Countries Collateral Events: 312 pages; each volume illustrated throughout, mostly in color. 4tos, wraps. Venice, Marsilio, 2009.
      Text in English.


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    • When Attitudes Become Form, Bern 1969 / Venice 2013.


    • CELANT, GERMANO et al. When Attitudes Become Form, Bern 1969 / Venice 2013. 700 pages, illustrated throughout in color. 4to, cloth. Venice. Fondazione Prada, 2013.
      This fascinating catalogue documents, debates, and deconstructs Harald Szeeman's landmark 1969 exhibition "Live in Your Head. When Attitudes Become Form" in the context of it's recreation this year in Venice through the auspices of the Prada Foundation. The presentation of the material follows a timeline-like logic. The first part documents the installation of the original exhibition in photographs,. The second part consists of interviews (Thomas Demand and Rem Koolhaus were collaborators) and wide-ranging essays by a roster of critics. The third part documents the recreation of the original exhibition in photographs and includes a register of works from both shows. Don't be put off by the size of this book. It's a tome but there's a scholarly energy here that repays repeat visits.



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    • 46th Esposizione Internationale d'Arte


    • VENICE. La Biennale di Venezia. 46th Esposizione Internationale d'Arte. 305 pp., 450 color and b&w illustrations. 4to, wraps. Venice, Marsilio Editori, 1995.
      A well-illustrated catalogue for the 46th Venice Biennale, the centenery of this event, illustrating the contributions of artists from each country represented at the biennale. With text accompanying each entry, in English.


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    • I Vedutisti Veneziani del Settecento.


    • VENICE. Palazzo Ducale. I Vedutisti Veneziani del Settecento. By Pietro Zampetti. 400 pp. include over 160 plates, some in color. 4to, cloth. 1967.


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    • LE ARTI A VIENNA: DALLA SECESSIONE ALL CADUTA DELL'IMPERO ASBURGICO.


    • VENICE. Palazzo Grassi. Le Arti a Vienna: Dalla Secessione alla caduta dell'Impero Asburgico. 589 pp. text illustrated with reproductions in b&w and color, photographs, line drawings and text figs., showing paintings, graphics, furniture, textiles and fashions, jewelry and more. Thick, square 4to, wraps. with matching slipcase. 1984.


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    • "Where Are We Going?": Selections from the François Pinault Collection


    • GINGERAS, ALISON M. and Jack Bankowsky (editors). "Where Are We Going?": Selections from the François Pinault Collection. 272 pp., roughly 200 color illustrations. 4to, cloth. Milan, Skira, in association with Venice, Palazzo Grassi, 2006.
      To inaugurate the newly renovated Palazzo Grassi in Venice, its new president (and owner)François Pinault has created a show which showcases art from his extensive collection. Spanning the post-war period to the present, the artists featured here include Mark Rothko, Cy Twombly, Jeff Koons, Damien Hirst, and Urs Fischer, among others. Nearly 200 works by 53 artists are reproduced in full-color for this catalogue.


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    • Identity and Alterity. Figures of the Body 1895/1995.


    • VENICE. Palazzo Grassi. Identity and Alterity. Figures of the Body 1895/1995. 590 pp. with appproximately 500 color and b&w illustrations. Large 4to, wraps.
      The central theme of this centenary exhibition catalogue for the 46th Venice Biennale is the representation of the human body over the past 100 years. Among the 270 artists represented in a chronological treatment of the subject, including works by Picasso, Bonnard, Dix, De Chirico, and others. Text in English.


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    • Dada: Monograph of a Movement.


    • VERKAUF, WILLY. Dada: Monograph of a Movement. 188 pp. includes various documents in facsimile and over 200 small, b&w illustrations. Folio, cloth. Teufen, Niggli, 1957.


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    • DADA. MONOGRAPH OF A MOVEMENT


    • VERKAUF, WILLY (editor). Dada. Monograph of a Movement. 109 pp., illustrated in b&w. Folio, boards. London, Academy/New York, St. Martin's, 1975.


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    • Dadaismo Dadaismi: da Duchamp a Warhol.


    • VERONA. Palazzo Forti. Dadaismo Dadaismi: da Duchamp a Warhol. 414 pp., with over 250 color and 100 b&w illustrations. 4to, wraps. Milan, Electa, 1997.
      A panoramic view of Dada, including works by 50 artists. Text in Italian.


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    • Academia: Qui es-tu?


    • VERVOORDT, AXEL (ed). Academia: Qui es-tu? 348 pages, including 314 color and 500 b&w plates. 4to, boards. Ghent, Mer.paperkunsthalle, 2008.
      The second part of a trilogy which started with Artempo in Venice in 2007. this volume. examines the dynamical process of artistic creation. It focuses on the interplay between inherited academic knowledge accumulated over centuries, education, and the subsequent transformation and transmission of that knowledge into a novel artistic creation


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    • Tra: Edge of Becoming


    • VERVOORDT, AXEL (editor) et al. TRA: Edge of Becoming. Unpaginated section of color and b&w plates, followed by 164 pages, with color plates and b&w figures. 4to, die-cut wraps. Wijnegem, Vervoordt Foundation, in collaboration with Antwerp, Axel Vervoordt Gallery, in association with Ghent, MER.paperkunsthalle, 2011.
      Exhibition at the Palazzo Fortuny in Venice; this is the 4th installment of the project that began with Artempo. Over 300 works of art explore the links between ("tra") place, history, heritage, and universal understanding.
      Text in English.



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